Roger opined thusly:
Ha! I agree. It is hard to understand how people can remain content with a diet of rock music after becoming aware of the pernicious influence of the Jew. Where do they think rock music came from? It is no different than saying, “rap music is fine with me as long as the peformer is white”. Not good enough.
After I began educating myself about the Jew through sites like Counter-Currents, TOQ and VNN, it did not take long to realise that it is necessary to re-evalute everything from first principles, in order to root out the Jew to the greatest possible extent. An obvious corollary of this is the rejection of rock music, as well as all other un-Aryan (or even anti-Aryan) forms of anticulture (not ‘counterculture’) being pedalled by the Jew. It makes no sense for WNs to listen to that noise, even from a propagandistic point of view. If I can listen to Haydn’s ‘Surprise’ Symphony, there is no need for Skrewdriver or black metal – ever! To do so would be pure self-deprecation.
Alex Kurtagic can write as much as he wants about the alleged continuity between the Conservative Revolutionaries of the Weimar Republic and the skinheads of the Norwegian black metal ‘scene’, but it does not change the fact that classical diatonic music is a far greater expression of the European Spirit and of the numinous. It also does not change the fact that Oswald Spengler, the best known Conservative Revolutionary, was a strong critic of nigger music, from which heavy metal in all of its incarnations is derived.
When black metal defenders argue that its form is more akin to classical music than to older blues-based metal music (a lie), they ignore the fact that the distorted guitar/bass guitar/drum kit ensemble can never lend itself to the same heights and standards as an orchestra or a chamber ensemble. Even if someone wrote in sonata form for a black metal band (haha), how could it be orchestrated in such a way as to make it as intricate and dynamic as a Brandenburg Concerto? It couldn’t, because that is not possible. Walls of distorted guitar noise underpinned with annoying drums cannot be used to create complex contrapuntal passages. It is such a pseudo-intellectual insult to posture the idea that black metal can ever be a neoclassical form merely because some of its practitioners have listened to the Ring Cycle and read Mein Kampf.
You do not respond to the Jew’s uglification of culture by creating an even uglier form.
The goal of the New Right is to engage in a metapolitical struggle in order to effect a complete cultural change, without which no real political change is attainable. So, where is the ardent and relentless promotion of classical composers, and of traditional European folk music (not neofolk)? Counter-Currents has made some progess to this end, but there is still too little attention paid to this area, and far too many articles about nonsense like Rammstein, Laibach and Skrewdriver.
For what it’s worth, I always like reading your comments on the C-C threads about music.
